Handmaiden Of The Catacombs

Beneath the sidewalks of Paris, the tunnels breathe.
Skulls form walls like old masonry.
The air smells like mud and tastes like time.

A handmaiden in a dark robe.
A lonely guide who’s footsteps echo
But, who’s footprints never left behind.

No one sees her face.
Only the back of her hood.
Only the slow drift of cloth.

See the bones arranged for her.
As if the dead stopped talking.
Awaiting her approval to continue.

Ceilings glow with rusted fire.
A circle like buried sunrise.
She passes under; untouched.

Hear tourists laugh.
Then, their voices thinned out.
Silence overtook the group; the cold grip took hold.

Her skulls look polished.
As if kissed by unseen lips.
Her handiwork.

Deep inside, there is a circle in stone.
A black mouth rimmed with faint gold.
A hole that is not a tunnel.

She stands beside it silently.
Not guarding, not warning.
Patiently waiting; a servant at the door.

If you follow her, you will not return.
Footsteps without footprints; but you shall not be alone.
Among us, she will lose you.

Here you will remain.
Forgotten.

Carnie’s Last Day

ai – photosurrealism

Carnie’s Last Day
a i – p h o t o s u r r e a l i s m

“The last night bled into morning without anyone calling it. The midway lights clicked off one by one, like a tired man shutting his eyes, and the smell of grease and wet canvas hung around after the rubes went home.

The Ferris wheel stood still for the first time in weeks, spokes quiet, cages empty..”

Behind The Scenes

Onstage rehearsals for Georges Méliès unfinished 1910 film “Midnight Magic”.

jds/gpt 3.5

*This is a fictional account based on factual events. I assume no responsibility for corrections or for the suitability of this story for any particular purpose other than amusement.

During the golden age of cinema, amidst the bustle of the cobblestoned streets of downtown Paris, lived and worked the visionary filmmaker Georges Méliès.

Dark Arts: The Witches Of Salem

The Healers – Mary Eastey, Sarah Cloyce, and Martha Corey


Mary Eastey, gentle and methodical, carried a bundle of dried herbs tied with blue thread — mugwort, feverfew, wild carrot. Her sister Sarah Cloyce learned from her: boiling, binding, whispering prayers while the steam rose.

Martha Corey, sharper of tongue and mind, recorded the ailments of her neighbors in a tiny ledger. To the Puritan eye, these were women trespassing in the domain of divine providence.

The historian reads between depositions and inventories — ointments, tinctures, linens — and sees an early form of community medicine. Their “witchcraft” was empiricism: trial, error, observation. Each poultice was data, each birth or fever another page in a silent, collective notebook.

The village called it sorcery; the record calls it science by a woman’s hand.

Art Brut – Outsider Art

The term Art Brut — literally “raw art” — was coined by French painter Jean Dubuffet in the 1940s. He wanted to separate spontaneous, untutored creation from the refined and self-conscious world of galleries and academies. For Dubuffet, true vitality came from outsiders: the mentally ill, prisoners, children, or self-taught makers who created without chasing art world approval.

ART Brut - in the style of Jean Dubuffet - Midjourney5
ART Brut – in the style of Jean Dubuffet – Midjourney5

Simply Madge


Madge is an attitude. The deadly mix of mid-life cynicism and a lifetime of pent up rage. While she might be dealing with waning hormones, she waxes her brows. She looks in the mirror. Yeah, she knows it. That’s attitude. That will never fade.
What’r you looking at??!

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